大象的耳朵

玄(🐧)门(😫)(mén )掌门(🚔)江元为救元(🖕)都百(bǎi )姓(🐤)(xìng )，牺牲(⏱)自己将上古(🎒)(gǔ )妖(yāo )兽(🎸)飞天神猪封印于(yú(🍞) )其(qí )子江(🌶)五山体内。此(cǐ )后二十(👚)年，江五(🤛)山在(zài )山(😆)村(🗳)(cūn )长(zhǎng )大(🚉)，却因自小长了(le )一(yī(🏴) )条猪尾巴(💭)，一直被(bèi )同(tóng )村人(💧)视为怪胎(💲)。某(mǒu )日，江五(🔣)山被同村(🧀)(cūn )人(ré(😄)n )欺辱(rǔ )，怒而(🗯)变猪头，因(🔃)此(cǐ )被(bèi )赶出山村(🌦)。怀疑自(zì(🎻) )己(jǐ )撞邪的江五山前(🦋)往(wǎng )元(🎼)都，寻找改变(🌯)自(zì )己(jǐ(🍗) )之法(fǎ(👜) )。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

ユミは夫と(🌜)娘の３人(🔭)(rén )暮らし。近々引っ(🐾)越(yuè )しを(🙃)考えている。ユミは娘(🥕)のレイ(❄)ナが時折(🙀)う(📜)わ言を発(🚓)することが、少々(⏬)気にかか(👞)っていた。転居の報(🔻)告(gào )も兼(🌒)ねて友人ヒ(🏿)ロミと久(💟)々に再(👙)会するユミ(🆑)。話(huà )題は(😙)いつしか「あの日(⛎)」のこと(🌬)に。「私(sī )たちが埋め(👯)た時、(🦄)本当に死(🎷)ん(💗)でたのか(🏯)な？」(🥤)。ユミは「あ(🏜)の日(rì )」(📪)のことを清算すべ(📜)く、サエ(💭)、アコにも再会を決(🌝)意し、(🔅)廃墟(xū )のよ(🤡)うな家に(🈚)一人で住むサエに(🐁)会いに行(🔇)く。サエは、見知ら(🌗)ぬ少(shǎo )女(➕)(nǚ )が現れて(👃)娘だと言(🥍)(yán )って(😛)聞かず、し(🐌)ばらく一(👣)(yī )緒(xù )に暮らして(🕡)いたが死(✌)(sǐ )んだこと、そして(🤦)少(shǎo )女(🎶)は死んだ(📽)ま(🍯)まその家(🤝)の３階に寝かされ(🔱)ていると(🐁)いうことを話(huà )し(🤢)出す。(C)「黄(🔜)泉がえる少女」製作(📓)委員会(🖇)(huì )

Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.

这部电影(🧐)的故事背(🎫)景(jǐng )让人不禁回忆(🚼)起《逃出绝(💫)(jué )命(mìng )镇》。一位黑人(🐹)男(nán )性(xì(📑)ng )（杰森·米(🏼)切尔饰(shì(🚲) )）在周(📸)末的时候，因(✉)(yīn )为觉得(⚡)周围只有白人(rén )朋(😦)友(yǒu )所(suǒ(🕕) )以觉得十分紧张。当(dā(🏓)ng )然，这部(💧)作品与乔(🌭)(qiá(🐖)o )丹(dān )·皮(🥨)尔去年那部符(fú )合(🆗)大众口味(🚡)的《逃(táo )出(chū )绝命(mì(🛒)ng )镇》不同。智(💛)利导演(yǎn )塞(sāi )巴斯蒂(🚤)安·席(🐹)尔瓦(wǎ )是(shì(⚓) )一个古怪(⛅)的人，他(tā )的电影如(🎐)《女仆》、《水(😂)晶仙女》、《肮脏的(de )婴(🚹)(yīng )儿》都倾(🌜)向于剑走(zǒ(📶)u )偏(piān )锋，故(🍯)事开始(👚)会有(yǒu )点(diǎ(😭)n )怪异，而之(❤)后则会(huì )变得更加(🎸)怪异。这种(🔚)(zhǒng )风格(gé )对(duì )于《周末(🏥)生日游(🔦)》意(yì )味着(🖇)什(🥧)么呢？还(🌿)不(bú )知(zhī )道。但我们(🍺)非常期(qī(💱) )待这种不确定性，况(🌦)(kuàng )且演(yǎ(🗺)n )员阵容中还有克里斯(🎾)(sī )托(tuō(💁) )弗·阿伯特(🈂)、迦勒(lè(📯) )兰(lán )德里·琼斯,迈(🏄)克尔(ěr )·(🚲)塞拉和安·道德。

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.