In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.

《四个春(📶)天(tiān )》是(shì )一(📄)部(bù )以真(📭)实家庭生活为背景的(de )纪录(🌱)(lù )片(🏣)。15岁离(🏢)家，在异(yì )乡(🏘)漂(piāo )泊多(🧣)(duō )年的导演(😧)以自己南(🕞)(nán )方(🗝)(fāng )小城(chéng )里的(de )父母为(🏈)主角，在四(🗞)(sì )年光(guāng )阴(🧛)里(lǐ )，以一(🚎)己之力记录(lù )了(le )他们(⛩)(men )的美(😔)丽日常。在(🙋)如诗的(de )乐活(💖)(huó )慢生(shē(🕐)ng )活图景中，影(🏞)像缓缓(huǎ(💄)n )雕刻(kè )出一个幸福家庭近(❓)二十(🌒)(shí )年(📫)的(de )温柔变迁(🅾)，以及他们(🏨)如何(hé )以自(🔸)(zì )己的方(🌑)式面对流转的时(shí )间、人(🌔)生的得失(👍)起落。

堀越耕(🦐)(gēng )平创(chuà(✊)ng )作的漫画《我(👲)的英(yīng )雄(👶)学(xué(😀) )院》将于6月2日发售附带(🤐)OAD动(dòng )画的(🤙)(de )漫画(huà )单行(🦁)本第14卷。新(🐡)作(zuò )OAD定名(míng )为《Training of the Dead 死亡训(🎤)练 》，该(🏯)动(dòng )画(huà(🥋) )由原(yuán )作者(🌋)堀越耕平(🏾)亲自负责(zé(😙) )故事(shì )原(😓)案(àn )故事。男主角绿谷出(chū(🦎) )久等(📆)(děng )雄(🛸)英学院的学(✒)生们与一(🧡)(yī )所名(míng )叫(🛃)勇学园的(🌃)英雄科学生们(men )一起(qǐ )训练(🐜)，但参与训(🥔)练的学(xué )生(💴)突(tū )然大(🍋)量丧尸化，没(🔲)有受到(dà(🗽)o )影响(🌫)(xiǎng )的人将如何生存？(🍈)

中年(nián )建(🕋)築(zhù )師遇上(🦓)人生瓶頸(⛵)，在家被(bèi )老婆(pó )嫌棄(🌲)，公司(🛬)小開兔(tù(😟) )死狗(gǒu )烹。失(🥣)業的他在(🚜)曼谷街(jiē )頭(😷)(tóu )驀然(rá(🏮)n )回首，瞥見大象Pop Aye，憶起(qǐ )歡快(➗)(kuài )的(🎥)童(tó(🈁)ng )年時光，毅然(♟)買下大(dà(🖍) )象，卻發現都(🐀)市生活容(😯)不下(xià )他倆(liǎng )，打算和老象(🍢)一路向北(🙎)返(fǎn )鄉。這趟(🏈)人與象的(🕓)公路之旅(lǚ )，途(tú )中狀(🏘)況不(🛸)斷，所幸萬能的(de )象鼻(bí(🏭) )領著他倆(😞)，與沿路(lù )風(🥞)景(jǐng )相伴(🤐)(bàn )。《爸媽不在家》導演陳(💭)(chén )哲(❌)藝(yì )監製(➖)，阿比查邦御(🚏)(yù )用剪(jiǎ(✏)n )接操(cāo )刀，看(🔋)擅長冷幽(🥘)默(mò )的(de )才女(nǚ )導演陳敬音(🛸)，用象(🔴)鼻對(🚾)(duì )抗中(zhōng )年(🐥)危(wēi )機！將(🚰)泰國鄉下的(🔡)荒(huāng )涼風(🕖)(fēng )景，轉變成一首洋溢著(zhe )淡(🐑)淡(dàn )霓虹(🍹)光芒的自我(⛸)蛻變之歌(😬)(gē )。

《诡宅魅影》讲述的是(😧)民(mí(😑)n )国时(shí )期被父母寄居(🔈)在吴宅的(🏾)小(xiǎo )莲（瑶(🌧)瑶）因长(👜)期遭受(shòu )吴老(lǎo )爷虐(🈵)(nuè )待(😲)迫害，导致(🔠)人格分裂，陷(👆)入(rù )四重(🥂)人格。由于吴(🍔)(wú )老爷(yé(🍂) )与土(tǔ )匪勾结，小莲即将(jiā(💕)ng )被(bè(💎)i )灭口(🤬)(kǒu )之际，幸得(🌓)吴宅老管(📣)家(jiā )（李(lǐ(🎆) )子雄(xióng )饰(🎁)演）搭救才幸免于(yú )难。而(🌐)此时的小(🌠)莲已经得了(👩)(le )失心(xīn )疯(⤴)，得知妹妹悲惨遭遇后(🖲)(hòu )，远(👆)(yuǎn )在国外学习心理学(🈳)的哥(gē )哥(🚕)决(jué )定回国(💸)，帮助小莲(🌡)进行心(xīn )理治(zhì )疗。他(🐐)对小(😭)莲进行(há(🔕)ng )了催(cuī )眠，将(😼)小莲再度(🎶)带回吴家大(⛷)院(yuàn )，并(bì(🎮)ng )实地还原囚禁场景(jǐng )，小(xiǎ(🌨)o )莲在(❣)(zài )哥(🚡)哥和吴家老(🐊)管家(jiā )的(🅱)(de )帮助(zhù )下，战(❓)胜了失心(⏯)疯，找(zhǎo )回自(zì )我，恢复了健(🚥)康。

Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won't just hurt them...they will kill them.

When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.

一群(qú(🎟)n )学(xué )生在(zà(🌷)i )一个封闭(🐍)的古堡里庆祝(zhù )新年(😕)(nián )，但(💎)是他们抵达不久之后(🎇)(hòu )，一(yī )些(🥜)奇怪的现象(🗿)让人不安(🌼)(ān )，本(běn )该开心的跨年(🏙)却变(🚛)成接(🖍)二(è(🐌)r )连三(sān )的悲(🦁)剧...

Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.